A Mystery from a long time ago....
And Madonna, on swedish TV in Olivier Theyskens:
onsdag 17 december 2008
tisdag 16 december 2008
The Bauhaus silhouette & The Strutter beauties
lördag 13 december 2008
Boo Ritson
I´ve said too myself, for a while, that I should post some pics f her work, since I saw it in some magazine a while ago, due too some exhibtion, she had here inStockholm.
But i can't seem too start "liking" it.
I very much like the whole sculptural idea of paintig living objects. But her aesthetics is way too much "In your face" for me. How things look and how they "magnetize" with the room around them, is very important in my own work.
But beauty or the look of things, must be much more abstract for mee to like them.
And remember how something is absract depends on the object Itself. I'ts no thing that you can meassure....Or you can very much...
But i can't seem too start "liking" it.
I very much like the whole sculptural idea of paintig living objects. But her aesthetics is way too much "In your face" for me. How things look and how they "magnetize" with the room around them, is very important in my own work.
But beauty or the look of things, must be much more abstract for mee to like them.
And remember how something is absract depends on the object Itself. I'ts no thing that you can meassure....Or you can very much...
tisdag 11 november 2008
tisdag 4 november 2008
tisdag 28 oktober 2008
<3 GREAT STYLE MOMENT <3
söndag 12 oktober 2008
tisdag 7 oktober 2008
tisdag 30 september 2008
Old work
I was looking around in my photobucket, and I found some pics from my old work.....
And I also found an Artist wich unfortunately, I can't remeber the name of, but I really love this stuff:
And I also found an Artist wich unfortunately, I can't remeber the name of, but I really love this stuff:
lördag 27 september 2008
Jill Magid - Evidence locker
" In 2004, Jill spent 31 days in Liverpool, during which time she developed a close relationship with Citywatch (Merseyside Police and Liverpool City Council), whose function is citywide video surveillance- the largest system of its kind in England.
The videos in her Evidence Locker were staged and edited by the artist and filmed by the police using the public surveillance cameras in the city centre. Wearing a bright red trench coat she would call the police on duty with details of where she was and ask them to film her in particular poses, places or even guide her through the city with her eyes closed, as seen in the video Trust.
Unless requested as evidence, CCTV footage obtained from the system is stored for 31 days before being erased. For access to this footage, Magid had to submit 31 Subject Access Request Forms - the legal document necessary to outline to the police details of how and when an 'incident' occurred. Magid chose to complete these forms as though they were letters to a lover, expressing how she was feeling and what she was thinking. These letters form the diary One Cycle of Memory in the City of L- an intimate portrait of the relationship between herself, the police and the city."
Source: http://www.jillmagid.net/EvidenceLocker.php
torsdag 25 september 2008
tisdag 23 september 2008
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